The common advice to ‘Write What You Know’ really is lazy, negative and limiting. The whole idea of creative writing is to explore new ideas, learn new storytelling techniques and to engage the reader. But admittedly, one’s writing is coloured by life’s experiences. And occasionally I have unashamedly fallen back on the comfort blanket of that bad advice.
My debut novel Barry features an Irish character, Jimmy. Now Jimmy had a shady background – certain persons want him eliminated. Changing his appearance, he rocks up in Birmingham and ends up working as an assistant groundsman at Edgbaston, home of Warwickshire County Cricket Club. I watched plenty of cricket there in my younger days.
So anyway, Jimmy got a job at Edgbaston. Here is a paragraph describing his days there.
‘He continued to work at the County Ground and was enjoying the outdoor life. Still, he was the cod Irishman who was puzzled by everything about the game of cricket. Though he naturally sided with Warwickshire and now recognised most of the players, he relied on his work colleagues or the reaction of the few people in the seats to tell him when the team were doing well. He realised that it was a good thing if a local man whacked the ball to the boundary, thus earning four runs. And if a Warwickshire bowler managed to knock down the stumps with the ball that was good also. But for the rest he was lost, though quite content to remain so. He no longer worried why, if the match was a draw at the end of four days, there was no extra time or replay. He was happy to follow orders, to enjoy his work and the company of the other lads and then pick up his money.’
Happy to hear your views on whether that common advice accords with mine.
I agree Roy, if I could only write what I know, it would be far too limiting, but I do also use my own experiences and locations I’ve known in my fiction.
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Yes Andrea. I can’t imagine not having to study and research aspects of writing – I’d be left with not much to write about.
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I’ve been known to fake it till I make it. It’s worked for me do far.
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Well as long as the faking is underpinned to ensure authenticity EQ 🙂
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What does one write when they feel as though they know nothing? That’s me, trapped in revision hell. 😦
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It’s what I love about writing Jill, exploring beyond one’s own knowledge and experience. I’ve learnt so much about the world and life in general since I took up this writing malarkey.
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Went to a talk by Patrick Gale last night. All his sixteen novels have had an element of what – or who – he knows. And if he doesn’t, but has an idea, he will research it before putting pen to paper. Like the year he spent visiting Weston Super Mare, the setting for his latest work. Seems to work for him!
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So how many books has this….oh…maybe he has a point then Jenny 🙂 There’s an American author (forget his name) who sets each of his crime novels in a small desert town. Now, chiseling multiple stories from limited surroundings is a real skill which I’ll never have.
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I can see that starting to write by writing what you know is useful, but surely that would become limiting after a relatively short period of time. Part of the joy of writing is expanding your boundaries and exploring those new spaces. Of course, unlike you, I haven’t expanded to human trafficking yet!
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Exactly Jane. As I said to Jill I’ve learnt so much these last eight years. And as for modern slavery I’ve had to focus on one particular aspect of it as it’s such a huge and intractable subject.
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I think for me writing what I know means using my personal feelings and experiences, and my experiences of people and places, to inform my characters and their actions – it hopefully means they are real and not cardboard cutouts!
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Yes I think so ER, though that still leaves a lot of scope for exploring other types of characters, and mindsets. You do need a baseline from which to begin.
But I think that creativity really begins with exploring that which is less familiar, though care is needed not to veer into inaccuracy.
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I think about this concept a lot, Roy. It makes sense in the abstract to write what you know, but I have so much trouble with that when I’m writing fiction. Once I start writing what I know, it’s hard for me to veer off track and be creative. I start sticking to the facts and get stymied. There’s needs to be a nice balance, like you said. Your life can influence your writing, but you also need to be brave and creative enough to venture beyond that.
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Exactly Juliann. That sums up my first shaky attempt at fiction. Chapter 1 was almost autobiographical, with the result I got stuck. Then, once I realised that, as a writer, the world is your oyster, it gave me wings.
Have you got any fiction we can read? I only ever see your fab travel blog 🙂
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Roy, a terrific extract and I immediately got a sense of Jimmy and can empathise with his lack of knowledge about cricket! 😀 I feel you’re right, some knowledge and experience will often be the kick-start for an idea or character but after that I like to explore beyond my personal world, research, push the boundaries beyond my own limits. I recently read an interview with Sebastian Faulks and he very much believes in setting out on an unknown adventure, letting the reader tag along the way! Happy Writing and exploring! 😀
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Hi Annika and thank you 🙂 I’m not going to argue with Mr Faulks. I love diving in to a new location or experience. Important to get it right though.
Sweden have got a good cricket team actually 🙂
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I had no idea about Sweden having any cricket team at all!! Good to know! I’ve never seen it played in parks or the TV, now football, handball, ice-hockey is another matter! 😀
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No it won’t be widely played but there are clubs in Stockholm and Gotenberg, most likely made up mainly of Asian ex pats.
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