Fellow writers out there. Have you ever written an extra character into a chapter or a section just because there’s a rôle that needs filling – but you warm to them unexpectedly?
‘Tess’ was only one of several main characters in A Jersey Midsummer Dream but I liked her enough to give her a sequel of her own. My first novel Barry had young Mary who, with a couple of significant personality disorders, I’d maybe like to reprise sometime.
In my present WIP I have a scene set in a Darwin bar. The afternoon barmaid is Chantilly (just changed from Sian) and she’s the sort that I’d like to explore a bit more in the future. Here’s a short extract.
The few other customers ignored him. A couple of old fellas were playing dominoes, click clack. An old lady with her shopping supped a half down the other end. One lone drinker perched at the bar in the mid-afternoon.
And Donal, head in his hands, elbows on the table, shoulders shaking gently.
Chantilly checked unnecessarily for waiting customers, lifted the hatch and wandered over to his table.
‘Everything OK mate?’
A surprised Donal peered through his fingers, saw the chit of a barmaid, gulped what may have been an answer and resumed his former position.
‘Well f*** you too!’ She went to turn away on her heel but something made her hesitate. Donal looked up again and removed his hands from his face, sat up straight, blinked at her.
‘You stopped crying like a Sheila now?’
Donal looked at her. It had been a long time since a young person, a woman at that, had addressed him so directly. A short little thing, cropped hair dyed yellow, pixie face, silver stud in her nose, arms folded over her red T-shirt, jeans rolled up just below her knees. Crikey, Donal thought, kids get away with anything these days.
Abruptly she turned and walked back to the bar, reached over and grabbed a few tissues from a box. She marched back to the table and held them out to him. Stood back warily in case he exploded. The dominoes players glanced across, though with minimal interest, before resuming their pushing and tapping.
Donal wiped his eyes, blew his nose.
‘Another?’ Chantilly pointed at his near-empty glass. He took the final swig and held it out to her. She served the man sitting at the bar then poured a glass of lager for Donal and a Coke for herself. She took them over, placed them on the table and sat herself down in a chair across the table from him. He fumbled in his pocket.
‘Nah, it’s OK. That’s on me.’
‘Well, thank you Miss.’ Donal managed.
‘Hey it talks! I thought you were from the deaf and dumb school. So, you doing OK, Donal ain’t it?’ His eyebrows went up, the glass half way to his lips. This wasn’t the banter he was used to with his night-time crowd. He guessed he had better attempt conversation with this alien creature.
How about you guys? Have any of your minor characters surprised you, calling for a bigger part?
I love this passage. Yes, she’s a character that captures your attention. I once added a character to my book because I needed a foil for my main character. And then she started to take over and turned my character into someone much whinier than I’d intended.
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Don’t you find that your characters almost become independent at times, especially when you’re writing well? But when they start shaping your other characters, well that’s just great I think. Why should the author be in total control?
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I think that this can happen often with minor characters. I have a literary review blog, so I’m always interested in the opinions of other writers about subjects like this. I think in some of the best works of fiction, the minor character ends up having a very meaningful role.
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Hi Courtney. Yes I guess if one was to analyse classic works you’d be able to identify many minor characters that are far more than just plot fillers but add to the story. And in the theatre this is much more pronounced of course or you’d have problems casting minor parts – who wouldn’t want to play Shakespeare’s Polonius for example? As a writer I think it’s great if a character pops up out of left field and demands to be heard 🙂 Thanks for your views, appreciated.
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I usually single out characters who don’t have much influence in their world but are ambitious and want to grow into major players in the story – Vincent in Thorns took on a life of his own because of this. Still plugging away at Thorns – one day soon I’ll surprise you by actually sending the second half!
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Hi Laura, mind when you zap half of your cast then I suppose someone else has to step up 🙂 Looking forward to see how ‘Thorns’ pans out.
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This happened to me in my WIP. Not only did the minor character in question turn out to be not the stuck-up snit she was originally meant to be, she took a real shine to another minor character in what’s become a highly unlikely friendship (as yet I’m not really sure why; it’s not important to the story) and has inspired me to someday write a follow-up novel about their adventures.
I actually really like it when parts of a story take on a life of their own. According to my old creative writing teacher (who himself allegedly studied under Stephen King, which means that I learned to write from Stephen King by proxy), those are the moments of true creativity.
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That’s brilliant Janna. I suppose I’m giving the characters themselves all the credit when really it’s part and parcel of the writer’s creative skill, albeit someone sub-conscious. I love the idea of two minor characters collaborating to make a bigger splash! Or maybe in your case it’s a bit of Stephen King magic rubbing off.
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Well, not exactly, but a monologue I wrote a while ago gave birth to the character that the monologue’s narrator was talking about. They are sisters and I’m toying with the idea of bandying the story of their very different lives between both monologues – maybe in serial form… but then it might turn out a bit soapy, which is why I’ve been putting it off. Had fun with both voices, though, trying to make them individual. Definitely a work in progress…
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That’s a cool idea Jenny, concentrating on character interaction in that way rather than in the context of a wider story.
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Well, yes, in theory – have to see how it goes. But thanks for this post which has got me thinking – and by the way, I like the sound of Chantilly – feisty!
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You should definitely explore Chantilly’s character in the future. She appears strong and probably has an interesting history. Yes, secondary characters can definitely surprise you and when they do, it’s great! Thanks for sharing a portion of your WIP, Roy…love this stuff!
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Isn’t the name Chantilly great? We had a job applicant at the office with that name and I promptly changed the character from Sian with a neat ‘Find and Replace’ 🙂 We’ll see if she pops up again, though it wont be in this book.
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This hasn’t happened to me Roy but I wish it would. I like your Chantilly. ~Gail
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Then you’ve got a better control over your characters then Gail, they stay where you put them!
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I love both these characters, Roy. That was precisely what I found when I was doing NaNoWriMo, that the characters I started with were full of surprises and set their own course far more often than I had expected. If I decide to push further with that manuscript, I will definitely be concentrating more on two of the minor characters. They showed me that they had far more layers than the main characters. Nice question.
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Hi Jane – You like Donal? I must try harder but I’m hopeless at creating unattractive characters. I’d be happy if I could create just one hateable scumbag in the way Irvine Welsh (Trainspotting etc) does. But minor characters do give a book depth.
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LOL, I meant I loved him as a believable character who I could imagine, not as a lovable character. Not to worry; he came across as unlikable as heck!
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She sounds like a dynamic character who does deserve the spotlight! The passage was great, Roy…reads seamlessly.
This is an interesting question. I have had minor characters surprise me with their importance. Usually, I don’t give them the credit they deserve when they first pop into my mind. But, like any actor in a movie in a “supporting role”, if done right, they add exciting layers and introspection to the story.
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Thanks Britt. You certainly can’t do without them and they sometimes break for the border. Your witness protection officer and the clientele of the Berlin night club were essential, for example. Have a good week!
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